Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

painters [artists] --- History --- Painting --- Art --- artists [visual artists] --- anno 1800-1899 --- Netherlands --- Artists --- Art and society --- Artistes --- Art et société --- Social conditions. --- Economic conditions --- Conditions sociales --- Conditions économiques --- Histoire --- -Artists --- -Persons --- Art and sociology --- Society and art --- Sociology and art --- -Economic conditions --- -Social conditions --- -Social aspects --- Social conditions --- -History --- -Art and society --- Art et société --- Conditions économiques --- -Art --- Persons --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Visual Cultures of Death in Central Europe , Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.

History of civilization --- Iconography --- Poland --- Lithuania --- Death in art. --- Art and society --- Death --- Mort dans l'art --- Art et société --- Mort --- Social aspects --- Aspect social --- Art et société --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Art --- Art and sociology --- Society and art --- Sociology and art --- Philosophy --- dood

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Images of Familial Intimacy in Eastern and Western Art offers a comparative art and socio-historical analysis of selected images of familial intimacy in Asia and Europe from the pre-modern era to the present day based on an examination of the value systems and expectations existing at the time in the regions in which the works were created. A wide variety of images are discussed ranging from family portraits and depictions of the home in seventeenth-century Dutch genre paintings, ukiyoe prints and fusuma sliding wall panels of the Edo period, to familial images made after the Korean War of 1950-53, providing the reader with a rare insight into the evolution East and West of the cultural norms and customs impacting on the family and personal space.

families [kinship groups] --- Sociology of culture --- privacy --- Psychology --- Art --- East Asia --- Europe --- Families in art. --- Intimacy (Psychology) in art. --- Art and society --- Familles dans l'art --- Intimité dans l'art --- Art et société --- Art and sociology --- Society and art --- Sociology and art --- Family in art --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art and society --- Painters --- Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Artists --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Economic conditions --- Social conditions --- Economic aspects --- Social aspects --- History of Italy --- anno 1600-1699 --- economische geschiedenis --- kunsthandel --- 17de eeuw --- Italië --- economische geschiedenis. --- kunsthandel. --- 17de eeuw. --- Italië.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Emotions, Art, and Christianity in the Transatlantic World, 1450-1800 is a collection of studies variously exploring the role of visual and material culture in shaping early modern emotional experiences. The volume's transatlantic framework moves from The Netherlands, Spain, and Italy to Mexico, Peru, Ecuador, and the Philippines, and centers on visual culture as a means to explore how emotions differ in their local and global "contexts" amidst the many shifts occurring c. 1450-1800. These themes are examined through the lens of art informed by religious ideas, especially Catholicism, with each essay probing how religiously inflected art stimulated, molded, and encoded emotions. Contributors include: Elena FitzPatrick Sifford, Alison C. Fleming, Natalia Keller, Walter S. Melion, Olaya Sanfuentes, Patricia Simons, Dario Velandia Onofre, and Charles M. Rosenberg.

Art and society --- Christianity and art --- Emotions in art --- Emotions --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Catholic Church and art --- Art --- Art and sociology --- Society and art --- Sociology and art --- Catholic Church --- Religious aspects&delete& --- Social aspects --- Religious aspects --- Christian church history --- History of civilization --- emotion --- religious art --- anno 1500-1799 --- anno 1400-1499